This is a pre-owned Bach 16 Tenor Trombone made in the 1990s, featuring the classic dual bore .495–.509 handslide and 7.5" one-piece yellow brass bell. This model has been a go-to choice for jazz, commercial, and crossover players for decades—and for good reason.
Personally, I played a nearly identical Bach 16 for over 25 years. Even after stepping away from it for a time, picking up this horn again felt like returning home. It plays effortlessly, with a super responsive feel and a classic core sound that’s instantly recognizable. The slide is exceptional—smooth, straight, and aligned—requiring no additional service. Easily a 10/10 in terms of performance.
What makes this model so appealing isn’t just the size or specs—it’s the sound. The tonal profile is vibrant, colorful, and rich in overtones, perfect for jazz soloing, lead playing, or small group settings. That said, quite a few professional orchestral players use the Bach 16 as a reliable small-bore double for pops or lighter symphonic work.
It’s easy to understand why these horns remain so popular among experienced players. A new Bach 16 sells for over $3,600 today, and many pros still prefer the feel and sound of the older models like this one.
Includes a brand new Glenn Cronkhite leather gig bag in the Canyon Sunrise colorway, providing excellent protection and portability with handcrafted quality. This premium case alone retails for over $500.
Frequently Asked
Why do players still prefer 1990s-era Bach 16 trombones over new ones?
Many musicians believe the Bach 16s made in the 1980s and 1990s have a more resonant and lively feel compared to newer factory models. This could be due to subtle differences in materials, bell taper consistency, or craftsmanship techniques that have evolved over time. Experienced players often describe older 16s as having a sweeter, more flexible tone and better overall response.
This Bach 16 Tenor Trombone is now archived for historical reference.
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