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Blessing

Instrument Overview

This Blessing B88 Large Bore Tenor Trombone (.547 bore) represents one of the finest examples produced during the Elkhart Era. It features an 8.5" red brass bell paired with gold brass outer handslide tubes, a configuration that draws clear inspiration from the Conn 88H design philosophy of the same period.

Many of the components used by Blessing at this time were sourced from the same suppliers that furnished parts for Conn, resulting in instruments that shared remarkable playing characteristics and build integrity.

This particular horn is in super mint condition, having received full shop service here at The Brass Exchange, including a complete chemical bath and full mechanical inspection. The slide alignment and valve action are excellent, with no dents, dings, or cosmetic concerns. The original case is included and remains in good condition. Mouthpiece not included.


Historical Perspective: The Blessing Legacy

The E.K. Blessing Company was founded in Elkhart, Indiana, in 1906 by Emil Karl Blessing, a German immigrant who began by crafting brass instrument parts before moving into full-scale production. By the mid-20th century, Blessing had established itself as one of the key American instrument makers, offering affordable yet high-quality trombones, trumpets, and cornets that bridged the gap between student and professional models.

Throughout the 1950s–1970s, Blessing instruments were respected for their solid workmanship and consistent performance. Their trombones, particularly the B88, became popular in schools, community ensembles, and jazz programs for offering Conn-style performance at a more accessible price point.

Today, Blessing remains active under St. Louis Music’s ownership, continuing to produce brass instruments that reflect over a century of midwestern manufacturing tradition—still honoring its Elkhart roots while incorporating modern production techniques.


FAQ

Q: How does the Blessing B88 compare to a Conn 88H?
A: The B88 shares a similar bell and wrap profile, producing a broad, resonant tone. It’s slightly lighter in feel, which some players prefer for easier response and quicker articulation.

Q: Is the B88 suitable for professional performance?
A: Absolutely. While originally marketed as an “intermediate” instrument, many seasoned players appreciate its balance of warmth and projection, especially those who grew up playing Elkhart-built horns.

Q: Can parts or slides from other makers fit this model?
A: In some cases, yes — particularly from Conn models of the same era, as dimensions and slide receivers were often sourced from the same manufacturers.


This Blessing B88 has been sold and now remains here as a historical reference for collectors and players interested in Elkhart-era craftsmanship.

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