This Olds Recording trombone from the mid-1960s (SN 715617) is a striking example from the peak of Olds’ production in Fullerton, California, when the company was still at its strongest. It features an 8" gold brass bell, nickel neckpipe, nickel tuning slide, and the hallmark dual bore (.485–.500) handslide with fluted inner slide tubes and nickel silver outer slide — a signature Olds Recording design element.
We’ve had many Olds Recording models come through The Brass Exchange over the years, and this one stood out for its solid, vibrant playing feel and exceptionally clean condition. The handslide was perfectly straight with flawless inner tubes and superior alignment, delivering smooth, fast action and effortless response. All parts were original, with factory lacquer intact across the bell, slide, and tuning components.
Tonally, the Olds Recording offers a colorful, rich sound with plenty of projection, making it a standout option for players who want a horn that sits between small and medium bore sizes. It shares the overall size and feel of a King 3B, yet the dual bore slide gives it added flexibility and an open upper register more like the King 2B. It would have been an ideal all-around larger small-bore tenor for lead jazz, combo, or even solo playing.
This horn required no service to improve playability and came with its original Olds case. It remains a superb representation of Olds’ craftsmanship during their golden era of production.
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What makes the Olds Recording unique compared to other small-bore tenors?
Its dual bore fluted slide design delivers a livelier response and broader tonal color palette than typical single-bore jazz trombones.
Is it similar in size to the King 3B?
Yes. The bell and general feel are in the 3B range, but the dual bore slide adds a slightly more open and versatile blow.
📌 This Olds Recording has been sold and is now shown here as a historical reference for collectors and enthusiasts.
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