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EDWARDS
142CF-DB-Rotary
Includes 3 removable leadpipes and soft case

This Edwards medium dual bore tenor trombone features an 8" rose brass bell, model 142CF, paired with a rotary valve and a yellow brass tuning slide. The standard weight dual bore handslide (.525/.547) comes with three removable leadpipes, offering flexible response and tonal color options. The instrument has been professionally chem cleaned and serviced, ensuring top playability with no dents or dings. The handslide action is excellent, and the valve is in perfect working condition.

The .525/.547 dual bore design gives this trombone a bigger, more open feel than a standard .525 bore, while retaining the versatility that medium bores are known for. It’s an ideal choice for players looking to move away from a standard .547 large bore without sacrificing projection, or for those comfortable on instruments like the Bach 36 who want something with a touch more breadth. This Edwards would excel in brass quintet work, solo performance, or as a flexible all-around tenor for the experienced player.

Includes a soft case and all three leadpipes. New Edwards instruments of this specification are made to order or purchased directly from the factory, and currently retail in the $4,000–$4,500 range.

This instrument has been sold and is now preserved in our archive as a reference for collectors and musicians. To explore similar professional tenor trombones currently available, browse our in-stock trombone selection here 🔎


FAQ

What makes a medium dual bore trombone unique?
A dual bore handslide offers a more open upper register and fuller low register compared to a single bore. The .525/.547 configuration in particular delivers a broad, resonant sound while keeping the agility of a medium bore.

What is the advantage of a rose brass bell?
Rose brass adds warmth and richness to the tone, especially in the mid and low register, while still allowing for clarity and projection when needed.

Is this Edwards model suitable for orchestral or solo work?
Yes. This setup is highly versatile — responsive enough for chamber and solo work, yet full-bodied enough to blend in an orchestral section.