This early Bach Model 6ii trombone, serial number 1101, dates from the heart of the 1930s New York Bach era, a period treasured by players and collectors for its exceptional craftsmanship and vibrant tonal character.
A classic small-bore jazz trombone, it features:
7" yellow-brass bell – lively, brilliant tone with vintage warmth
.485 straight-bore handslide with gold-brass outer tubes and yellow-brass end-crook
Nickel-silver neckpipe, typical of early Bach builds
Re-lacquered finish from a prior restoration — bright and attractive, though not original
Inner slide tubes appear to have been replaced during that restoration
Good-playing slide with responsive action; a small ding remains on the yellow-brass end-crook
Historic connection to Glenn Miller’s big-band era — Miller himself played and required his section to play this exact model
While the overhaul has left a few minor cosmetic imperfections — tiny bell dings not fully smoothed before lacquer and the replaced inners — it remains a true early-New York Bach 6ii with the rich, colorful sound these horns are famous for.
No case or mouthpiece is included. Because of the non-original lacquer and lack of case, we’ve priced this instrument accordingly, making it an accessible way to own an important piece of jazz-era trombone history.
A fantastic choice for traditional jazz, swing-band section work, or vintage-style solo playing.
🎯 Archived for reference- this Bach 6ii has been sold and is now part of our Historical Trombone Archive. Explore more Vintage New York Bach Trombones Here🔎
❓ FAQ
What makes the early New York Bach 6ii special?
These pre-Elkhart Bach trombones were hand-built in small batches. Their compact .485 bore combines agility with surprising warmth and projection — a sound prized by jazz players in the 1930s-40s and still sought by collectors today.
Did Glenn Miller really use this model?
Yes. Glenn Miller himself played a Bach 6ii and required his section to use the same horn to achieve the unified, focused sound that became a hallmark of the band.
Is there anything to consider about its restored finish?
The horn was re-lacquered before arriving at The Brass Exchange. The work is clean and bright, but the lacquer is not original and a few very small cosmetic dings remain — common for historic horns that have seen careful use over nearly a century.
What if I need a case?
We can provide suitable modern cases at an additional charge; contact us to discuss the best option for shipping and protection.
🔎 Browse available cases in stock at The Brass Exchange
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