This Bach 6ii trombone, serial number 1062, dates from the heart of the 1930s New York Bach era, a period prized by players and collectors alike for its exceptional craftsmanship and tonal character. These early Bach small bore models—rarely seen in today’s market—deliver an unexpectedly large, rich sound despite their compact design. That blend of warmth and projection made them a favorite among professional section players, including Glenn Miller’s entire trombone section.
This particular horn is in fully original condition, with all original parts and lacquer intact. The lacquer has aged beautifully, with the underlying brass darkening to a rich patina in areas—nearly black in tone. This visual character is highly sought after and often imitated, but this horn shows the authentic aging only time can create. It has not been artificially modified or “relic’d”—this is the real deal.
In terms of playability, the handslide is exceptionally straight and smooth, with no resistance or drag. It plays naturally in tune at A=440 without requiring major slide pull. The tone is centered, colorful, and full of life—ideal for lead playing, solo work, or small group jazz.
The horn has undergone full shop service, including a chemical bath, ensuring that it's clean and ready to play despite its age. No case is included with this example, though protective shipping arrangements would have been made when originally sold.
Why are early New York Bach trombones so highly regarded?
New York-era Bach trombones, especially rare models like the 6ii, are cherished for their handmade construction, unique tonal warmth, and effortless response. Many players believe these horns offer a perfect blend of vintage character and playability that modern instruments often can’t replicate.
This Bach 6ii has been sold and now lives here in our historical archive for the benefit of musicians, collectors, and jazz history enthusiasts.
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