Overview
This Bach Stradivarius Model 16 from the Mt. Vernon, New York era (serial 6231) dates to approximately 1962—just before production transitioned to Elkhart, Indiana. It is a rare, all-original example that has been professionally refinished in silver plate, presenting exceptionally well both visually and functionally.
This instrument represents the dual-bore configuration of the Bach 16, featuring a 7.5-inch one-piece bell and standard-weight slide. While the lightweight straight-bore 16M became closely associated with players like Bill Watrous, the dual-bore 16 offers a slightly different feel—adding stability and a broader tonal center while retaining the agility that defines the model.
The Bach 16 design from this period reflects the working concepts established by Vincent Bach in the early 1960s. Many of those specifications—including bell size and general proportions—remain consistent in modern Bach 16 production.
This example has received full professional service and is playing exceptionally well. The slide is straight and properly aligned, with responsive, smooth action throughout.
We’ve handled dozens of Bach 16 trombones over the past several years, including multiple examples from the Mt. Vernon era. For additional perspective, you can view another recently sold Mt. Vernon Bach 16 trombone here, which helps illustrate how these instruments can vary slightly from one example to another in feel and tonal character.
Player Perspective
The Bach 16 has long been a staple for:
• jazz soloists
• lead players
• studio and commercial musicians
But its usefulness extends further. Many professional trombonists rely on small-bore Bach instruments like the 16 for:
• pops orchestra
• pit orchestra
• film and recording work
• lighter symphonic repertoire
This dual-bore Mt. Vernon example offers:
• quick, efficient response
• a centered and flexible tonal core
• slightly more stability than the 16M
• excellent projection without excessive effort
The fresh silver plating contributes a subtle brilliance to the sound while preserving the characteristic Bach tonal structure.
Condition Summary
• 1962 Mt. Vernon production (SN 6231)
• All original parts
• Professionally refinished in silver plate
• Full shop service completed
• Slide: straight, aligned, smooth, and responsive
• No history of structural damage or repair
• Includes Wolfpak rectangular case
This is a clean, well-preserved example that is both highly playable and collectible.
Questions Trombone Players Often Ask
What makes this different from the Watrous model (16M)?
The 16M uses a straight-bore lightweight slide, while this dual-bore version has a slightly different feel with added stability and a broader tonal center.
Why are Mt. Vernon Bach trombones considered special?
Mt. Vernon-era instruments (1950s–early 1960s) are widely regarded for their craftsmanship and consistency, produced in a smaller, more hands-on environment prior to later factory expansion.
How does silver plating affect the sound?
Silver plating can add a subtle brilliance and projection to the sound while also improving durability. The effect is noticeable but not extreme—more refinement than transformation.
How does this compare to a Bach 36 or 42?
The 16 is more agile and efficient, requiring less air and offering quicker response. The 36 and 42 provide greater breadth and are more suited for full symphonic applications.
Ordering & Fulfillment
This instrument is available now and can be purchased through secure checkout.
Orders ship via FedEx, typically the same or next business day, professionally packed for safe delivery.
Because The Brass Exchange is centrally located in St. Louis, Missouri, most U.S. customers receive their orders within 1–2 business days without expedited shipping.
International buyers are welcome—please contact us for a shipping quote prior to purchase.
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With over 15 years specializing in professional brass instruments, The Brass Exchange has handled thousands of Bach trombones across every era—providing real insight into how these instruments actually play.